Lights of My Life is an illustrated portrait series paired with original poetry that explores the emotional depth of platonic love and chosen family. It highlights how relationships beyond romance or blood can shape identity, belonging, and everyday meaning. Rooted in personal experience, the work is designed to feel universal and encourage viewers to reflect on their own relationships and their significance in their world.

This is a strategic rebrand of COBS Bread, focused on strengthening its visual identity and digital experience. While known for freshness and community, the brand lacked cohesion and a contemporary edge. The rebrand modernizes COBS without losing its neighbourhood charm, positioning it as confident, current, and approachable.

This editorial typography project interprets Approaching Things That Trigger Things by Mikael Wiber through a visual exploration of interconnectedness and change. Using nature as a metaphor for transformation, it reflects how small actions influence larger systems. The layout emphasizes pacing and hierarchy, allowing type and imagery to evolve together across the spreads.

The Alchemy Series is a conceptual beer branding project for The Community Cauldron, a fictional brewery built around a fantasy-driven identity. Each beer is positioned as a “potion” designed to fulfil emotional needs, blending whimsy with relatable human experiences. The series creates a cohesive, narrative-led brand that feels immersive, distinct, and emotionally resonant.

Langrove is a language exchange app concept designed to connect people through reciprocal, one-on-one learning. It pairs users with complementary language goals, emphasizing conversation, cultural exchange, and shared growth. The identity reflects connection and balance, positioning Langrove as a warm, community-driven learning experience.

AI is a Paintbrush, Not an Artist is an editorial typographic project built around a self-written essay exploring authorship and creativity in the age of artificial intelligence. It frames AI as a tool guided by human intention, using classical imagery and subtle distortions to create tension between human-made work and technological influence.